Continuing on with the ReSCORE project, I thought for my second time out, I would tackle something that is (a) a little more recent, and (b) is scored by one of my heroes, Hans Zimmer. Zimmer has written a truly staggering number of film scores, and while he receives a bit of flak for reusing ideas between projects, I’ve found that when he’s presented with an interesting challenge, he invariably comes up with highly original music that adds a great deal to the film. One such challenge was the score for “Sherlock Holmes” – after writing a jangly, highly recognizable theme for the first Guy Ritchie film, and populating that score with wild fiddle playing and broken pianos, he was presented with the unenviable task of creating something new, but sort-of the same, for the second film, “Sherlock Holmes – A Game of Shadows”.
All posts for the month July, 2015
So, at the urging of a film director friend of mine, I’ve started a personal project that I’m calling “ReSCORE” … the purpose of the project is to take some of my favourite movie scenes, particularly ones where I thought music was particularly effectively used, and compose my own music for the scene. It is my hope that my “rescored” version will be at least as good as the original. I’ll leave that judgement call up to you, of course! Given that I’m just breaking into the film scoring business, my director friend feels that this effort will act as a sort of “demo reel” of the kind of work I’m capable of. I just think it’s a really cool way to hone my craft! I’ll be doing a number of these scenes over time, and will post them here as I complete them.
I’m really jazzed about this first one – the film is Peter Weir’s wonderful “Dead Poets Society”, the film where the world learned that Robin Williams wasn’t just a zany comedian, but could really act, as well.